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Havana Celebrates Cuban Hip Hop Culture at Major International Symposium

Simone AdamsSimone AdamsAugust 17, 20253 Minutes read

Havana, Cuba – The vibrant and evolving world of Cuban hip hop took center stage as the 18th International Symposium on Cuban Hip Hop convened in Havana from August 20 to August 24, 2025. This significant gathering, organized by the Cuban Rap Agency (ACR), brought together artists, academics, and enthusiasts from across the island and around the globe to explore, celebrate, and discuss the multifaceted art form.

A Legacy of Expression and Resistance

Cuban hip hop, which began to gain traction in the early 1990s, has a rich history intertwined with social commentary and cultural identity. Emerging during Cuba’s “Special Period” following the collapse of the Soviet Union, rap music provided a powerful outlet for young Cubans, particularly within Afro-Cuban communities, to express their realities, advocate for change, and affirm their heritage. Initially viewed as a foreign import, hip hop was officially recognized as an authentic expression of Cuban culture by the government in 1999, leading to the establishment of the Cuban Rap Agency (ACR) in 2002 to support and promote the genre. The symposium honors this legacy, this year dedicating its proceedings to the late urban culture pioneer Rodolfo Rensoli, a foundational figure who established the First Cuban Rap Festival in 1995.

A Comprehensive Program of Art and Ideas

The five-day symposium offered a robust and diverse program designed to engage all facets of hip hop culture. Attendees participated in theoretical sessions, keynote speeches, workshops, paper presentations, DJ sessions, live concerts, and exhibitions of visual arts, including graffiti and body painting. Key themes explored during the event included the significance of hip hop as an epistemology of the Global South, discussions on rap beyond its lyrical content, and the genre’s broader social role. A dedicated workshop on the music industry provided valuable insights for aspiring artists and producers.

The event featured over 30 guest projects and a notable delegation of approximately a dozen artists from Colombia, underscoring the international appeal and collaborative spirit of Cuban hip hop. These gatherings serve as vital platforms for cultural exchange, allowing artists to share experiences, build networks, and foster artistic development. The symposium’s diverse activities aimed to highlight not just the music, but the entire spectrum of urban art associated with hip hop.

The Evolving Landscape of Cuban Hip Hop

Cuban hip hop has consistently evolved, blending traditional Afro-Cuban rhythms with global influences to create a unique sound. While elements like DJing and breakdancing were early focal points, the genre quickly developed its own distinct lyrical and musical style. The genre’s journey has been marked by a dynamic relationship with state institutions, balancing artistic freedom with official support.

The symposium also provided a space to discuss contemporary challenges and future directions for Cuban hip hop. Topics such as hip hop as a counter-hegemonic discourse and the genre’s social impact were central to the theoretical discussions. The event also indirectly touches upon the broader role of music in Cuban society, which has historically served as a vehicle for social and political critique. The growth of other genres like reggaeton has also presented a competitive landscape, though hip hop continues to maintain its distinct identity and cultural significance.

A Hub for Urban Artistry

The symposium’s closing on August 24th, 2025, marked the culmination of a week dedicated to elevating Cuban urban art. The event, held at the headquarters of the Cuban Rap Agency (ACRap) in Centro Habana, successfully showcased the depth and breadth of the hip hop movement in Cuba. By bringing together a wide array of talent and fostering dialogue, the International Symposium on Cuban Hip Hop reinforced its position as a top-tier event for understanding and celebrating this influential cultural force. The ongoing support for events like these by institutions such as the Cuban Rap Agency is crucial for the continued development and international recognition of Cuban hip hop, ensuring its stories and music continue to resonate.

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Simone Adams

Simone is the industry insider. After a few years working in A&R for a major label, she decided she'd rather be the one telling the stories than just discovering the talent. She writes about the business side of hip hop, from a look at groundbreaking marketing campaigns to explaining the fine print of record deals. Her column is essential for anyone trying to understand the mechanics of the music world.

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