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Clipse Resurfaces with “Let God Sort ‘Em Out”: A Decade-Defining Hip Hop Event

Brianna JohnsonBrianna JohnsonJuly 11, 20252 Minutes read

The legendary hip-hop duo Clipse, the formidable pairing of brothers Pusha T and Malice, has officially dropped their much-anticipated fourth studio album, “Let God Sort ‘Em Out,” on July 11, 2025. This release marks a significant moment in the music landscape, signifying the duo’s return to the full-length album format for the first time since their acclaimed 2009 project, “Til the Casket Drops.”

A Long-Awaited Homecoming

The hiatus between “Til the Casket Drops” and “Let God Sort ‘Em Out” saw both Pusha T and Malice pursuing successful solo careers, further cementing their individual legacies within the hip-hop industry. However, a period of renewed collaboration culminated in a reunion in 2019, setting the stage for this monumental comeback. “Let God Sort ‘Em Out” is not just an album; it’s a testament to their enduring artistic partnership and the anticipation that has been building among fans for over a decade.

Pharrell Williams’s Production Prowess

At the heart of “Let God Sort ‘Em Out” is the signature production touch of Pharrell Williams. Every track on the album bears his distinctive imprint, a collaboration that has been a hallmark of Clipse’s most celebrated work. While Williams’s sonic architecture is undeniably present, the album has garnered widespread critical acclaim, with many reviewers highlighting the duo’s raw lyricism and the unmistakable chemistry that has defined their career. Critics have particularly lauded their ability to deliver potent narratives and vivid imagery, a skill that has remained sharp despite the years apart. However, a segment of critical response did note that Williams’s production, while masterful, occasionally leaned towards a sound that some felt was overly polished, a subtle divergence from the grittier textures often associated with the group’s earlier material.

A Star-Studded Roster

Adding further depth and excitement to “Let God Sort ‘Em Out,” the album boasts an impressive array of guest appearances from some of the most respected names in music. The tracklist features contributions from powerhouse artists such as John Legend, Kendrick Lamar, Nas, Tyler, the Creator, and fellow Re-Up Gang member Ab-Liva. These collaborations underscore Clipse’s continued influence and their ability to attract and engage with a diverse spectrum of talent, further enriching the sonic tapestry of the album.

“Ace Trumpets” Sets the Stage

Prior to the album’s full release, the duo offered fans a powerful preview with the single “Ace Trumpets.” Dropped on May 30, 2025, the single immediately ignited buzz and anticipation, serving as a potent indicator of the quality and thematic depth that would characterize the entire project. The single provided a compelling glimpse into Clipse’s revitalized sound and lyrical prowess, effectively whetting the appetite for the full album.

Enduring Legacy and Future Impact

The release of “Let God Sort ‘Em Out” solidifies Clipse’s position as one of the most significant duos in hip-hop history. Their ability to evolve while retaining their core artistic identity speaks volumes about their talent and dedication. As the music world digests this highly anticipated project, it’s clear that Clipse has delivered an album that not only meets but, in many ways, exceeds the immense expectations placed upon them. This latest body of work is poised to resonate deeply with longtime fans and introduce their unparalleled artistry to a new generation of hip-hop enthusiasts. The intricate wordplay, coupled with compelling production, reaffirms Clipse as a vital force in contemporary music, proving that their impact on the genre remains as potent as ever.

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Brianna Johnson

Brianna is a community organizer from Chicago who writes about hip hop's power as a force for social change. With a background in sociology, she provides thoughtful commentary on how artists from her city and beyond tackle issues of justice, poverty, and identity. Her think-pieces challenge readers to see hip hop not just as music, but as a movement.

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