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    September 10: A Pivotal Day in Hip Hop & R&B History Marked by Legendary Births, Cherished Releases, and Solemn Farewells

    September 10, 2025
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    Drake’s “Marvin’s Room” Achieves Diamond Status, Cementing His Record as Hip-Hop’s Most Certified Artist

    September 9, 2025
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    Rolling Loud India 2025 Unleashes Historic Lineup: Karan Aujla to Headline Alongside Wiz Khalifa, Central Cee, and Don Toliver

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    Drake Unleashes “Dog House” Featuring Yeat, Igniting Buzz and Anticipation for Forthcoming ‘Iceman’ Album

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SPOTLIGHT
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Joey Bada$$ Drops ‘Lonely At The Top’ Album, Praises Cardi B’s ‘Imaginary Playerz,’ Secures Label Peace

Brianna JohnsonBrianna JohnsonAugust 19, 20253 Minutes read

Joey Bada$$ has officially released his highly anticipated fourth studio album, “Lonely At The Top,” on August 29, 2025. The project, which faced a period of public tension with his label, Columbia Records, marks a significant moment in the rapper’s career, showcasing his artistic evolution and reaffirming his place in the contemporary hip-hop landscape. Alongside the album’s release, Bada$$ has shared his endorsements for Cardi B’s latest single and revealed details about his musical influences and upcoming tour.

“Lonely At The Top” Arrives Amidst Label Hurdles

The release of “Lonely At The Top” was not without its challenges. Originally slated for an earlier August debut, the album experienced delays that led to public frustration and vocal criticism from Joey Bada$$. The Brooklyn rapper took to social media, expressing his discontent with Columbia Records, stating that the label had become an obstacle and contributed little to his releases. He lamented that his music, which he described as “signed, sealed, and delivered” over a month prior, was being held back by label interference, rather than issues with samples or features. At one point, Bada$$ even suggested giving Columbia an ultimatum to resolve the situation. Despite these public disputes, an apparent reconciliation or resolution was reached, allowing “Lonely At The Top” to finally reach fans on the intended August 29th date.

This album, his first full-length solo effort in three years since “2000,” is an 11-track project that delves into themes of fame, solitude, and self-awareness. It features a curated list of collaborators, including Ab-Soul, Rapsody, A$AP Ferg, Ty Dolla $ign, and Westside Gunn, all contributing to the album’s rich lyrical and production tapestry. Bada$$ described the creative process as being akin to a mixtape, focusing on delivering raw talent and fulfilling the core fan base’s expectations, while also allowing for experimentation and introspection.

Praising Cardi B’s “Imaginary Playerz”

In a recent discussion with TMZ Hip Hop, Joey Bada$$ offered his perspective on Cardi B’s new single, “Imaginary Playerz.” The track, which prominently samples Jay-Z’s 1997 classic of the same name, has generated considerable buzz and divided opinions within the music community. Bada$$, however, gave the song a strong endorsement, stating that it “goes hard.” He elaborated that the track embodies the authentic spirit of New York hip-hop, effectively blending homage to the past with a fresh approach to reinvention. This sentiment positions Bada$$ as a supporter of artists who engage with hip-hop’s rich history, even as Cardi B’s rendition has faced some criticism for its lyrical delivery compared to the original Hov track.

The conversation around “Imaginary Playerz” highlights a recurring theme in modern music: the delicate balance between honoring legacy and forging a unique artistic identity. Cardi B’s decision to sample Jay-Z was not just about borrowing from a revered artist but also about placing herself within the lineage of hip-hop’s influential figures, sparking broader discussions about cultural reverence in music.

Homage to Hip-Hop Legends: Gang Starr Samples

Beyond his thoughts on contemporary artists, Joey Bada$$ revealed that “Lonely At The Top” would pay homage to foundational figures in hip-hop by incorporating samples from the legendary duo Gang Starr. Specifically, he noted the inclusion of samples from Guru and DJ Premier’s iconic work, including “Moment of Truth.” This choice underscores Bada$$’s deep respect for the genre’s roots and his commitment to carrying forward the traditions that have shaped his own musical journey. His previous work has consistently drawn inspiration from the golden age of hip-hop, and the inclusion of Gang Starr samples further solidifies this artistic foundation.

Personal Milestones and Future Endeavors

The release of “Lonely At The Top” coincides with a significant personal milestone for Joey Bada$$. He recently welcomed a newborn son with his fiancée, R&B singer Serayah. Bada$$ has spoken positively about fatherhood, describing it as an amazing and life-changing experience that has brought him immense joy. This period of professional and personal growth is further complemented by his upcoming “The Dark Aura Tour,” which is set to kick off in October. The tour will feature special guests Ab-Soul and Rapsody, promising a series of engaging live performances that will showcase new material alongside fan favorites.

Joey Bada$$’s “Lonely At The Top” is more than just an album; it’s a statement of artistic resilience and continued commitment to the craft of hip-hop. Having navigated label disputes and continued to push his creative boundaries, Bada$$ is poised to make a significant impact with this latest collection of music. The album’s release, coupled with his vocal support for fellow artists and his embrace of hip-hop’s foundational elements, reaffirms his status as a vital voice in today’s music industry. These stories highlight his enduring influence and thoughtful approach to his art.

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Brianna Johnson

Brianna is a community organizer from Chicago who writes about hip hop's power as a force for social change. With a background in sociology, she provides thoughtful commentary on how artists from her city and beyond tackle issues of justice, poverty, and identity. Her think-pieces challenge readers to see hip hop not just as music, but as a movement.

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