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October 12, 2025October 12: A Landmark Day in Hip Hop & R&B History with Chart-Topping Hits, Acclaimed Albums, and Legendary Birthdays October 11, 2025Nas Reflects on Mobb Deep’s Pure Artistry and Legacy on ‘The Infamous Hour,’ Praises New ‘Infinite’ Album October 11, 2025October 11: A Monumental Day in Hip Hop & R&B History – Birthdays, Chart-Toppers, and Genre-Defining Releases October 10, 2025Don’t Fall in Love Fest 2025: A Hybrid Spectacle of Música Mexicana and Hip Hop Descends on San Bernardino October 10, 2025Mobb Deep’s ‘Infinite’ Album Drops: A Posthumous Tribute Featuring Prodigy’s Unreleased Vocals October 10, 2025TiaCorine Unleashes ‘Corinian’: A Genre-Bending Hip-Hop Masterpiece Featuring JID, Wiz Khalifa, and More October 10, 2025Gunna Ignites Global Music Scene with “Wun World Tour” in Support of Chart-Topping Album “The Last Wun” October 10, 2025Gunna Embarks on “Wun World Tour” in Support of Chart-Topping Album “The Last Wun” October 10, 2025Bad Bunny Crowned Billboard’s Top Latin Artist of the 21st Century Amidst Historic Career Milestones October 10, 2025Chiedu Oraka Unleashes ‘Last Laugh’ Single, Announces ‘Undeniable’ EP and UK Tour: The Sound of Northern Hip Hop’s Evolution
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July 2025: Clipse’s Monumental Return and Tyler, The Creator Lead a Hip Hop Renaissance

Brianna JohnsonBrianna JohnsonJuly 11, 20253 Minutes read

July 2025: Clipse’s Monumental Return and Tyler, The Creator Lead a Hip Hop Renaissance

July 2025 has firmly cemented itself as a watershed month for hip-hop, marked by an extraordinary surge of high-caliber music from both legendary figures and exciting new voices. The landscape was dramatically reshaped by the highly anticipated comeback of Clipse and the innovative output of Tyler, The Creator, alongside a strong showing from other notable artists, delivering a rich tapestry of sounds and lyrical prowess.

Clipse Reclaims the Throne with “Let God Sort Em Out”

The most seismic event of the month was undoubtedly the return of Clipse, the iconic duo comprising Pusha T and Malice. Fifteen years after their last studio album, they have officially released “Let God Sort Em Out.” This monumental comeback release not only signifies the reunion of two of hip-hop’s most revered lyricists but also boasts an unparalleled sonic foundation, as the entire project has been masterfully produced by Pharrell Williams.

Dropped on July 11th, “Let God Sort Em Out” has been met with widespread critical acclaim, with many hailing it as a return to form for the duo and a masterclass in modern rap production. The album features a curated list of guest appearances from some of the genre’s most respected artists, including Kendrick Lamar, Nas, and Tyler, the Creator himself. This collaboration elevates the project, allowing Clipse to showcase their signature sharp lyricism against the backdrop of The Neptunes’ unmistakable production style, which has defined an era of hip-hop music.

Critics have been particularly effusive about the synergy between Clipse’s potent bars and Pharrell’s signature beats, a combination that fans have eagerly awaited for over a decade. The album is being celebrated for its thematic depth and the raw, unadulterated skill displayed by all involved, reaffirming Clipse’s status as titans of the genre.

Tyler, The Creator Offers a New Vibe with “Don’t Tap The Glass”

Adding to the stellar month for hip-hop, Tyler, The Creator, a perennial force in innovative music, also unveiled his latest project, “Don’t Tap The Glass.” This new release offers a different, yet equally compelling, artistic statement. Described as a collection of 10 songs, “Don’t Tap The Glass” is centered around cultivating specific moods and facilitating movement, a testament to Tyler’s evolving creative vision.

The project’s focus on “vibes and movement” suggests a more atmospheric and perhaps introspective offering, a hallmark of Tyler’s recent work that consistently pushes the boundaries of what hip-hop can be. While distinct from the lyrical onslaught of Clipse, Tyler’s release contributes significantly to the diverse sonic landscape of July 2025, further solidifying his reputation as a multifaceted artist.

A Wealth of Quality Hip Hop

Beyond the headline-grabbing efforts from Clipse and Tyler, The Creator, July 2025 delivered a rich and varied selection of hip hop music for enthusiasts. The release slate underscored the genre’s continued vitality and artistic breadth.

Among the other significant album drops was Open Mike Eagle’s “Neighborhood Gods Unlimited.” Known for his introspective and often humorous lyrical style, Open Mike Eagle’s latest work adds another layer of intellectual and artistic depth to the month’s offerings.

Furthermore, the highly anticipated collaboration between Freddie Gibbs and The Alchemist, “Alfredo 2,” made its debut. Building on the success of their previous acclaimed project, this sequel promised and delivered a potent blend of Gibbs’s gritty delivery and Alchemist’s inimitable production, further cementing their reputation as a formidable duo in the hip hop world.

Rounding out a truly exceptional month for hip hop releases was the collaboration between ShrapKnel and producer Raphy, presenting their album “Lincoln Continental Breakfast.” This project offered a unique sonic exploration, contributing to the diverse and vibrant ecosystem of contemporary hip hop music.

In summation, July 2025 stands out as a pivotal month for hip hop, characterized by the triumphant return of Clipse, the continued innovation of Tyler, The Creator, and a robust lineup of other compelling album releases. The period has served as a powerful reminder of the genre’s enduring appeal and its capacity for reinvention, offering something substantial for every hip hop aficionado.

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Brianna Johnson

Brianna is a community organizer from Chicago who writes about hip hop's power as a force for social change. With a background in sociology, she provides thoughtful commentary on how artists from her city and beyond tackle issues of justice, poverty, and identity. Her think-pieces challenge readers to see hip hop not just as music, but as a movement.

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