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Clipse Reclaims Hip-Hop Throne with Landmark Album ‘Let God Sort Em Out’ Following Decade-Long Hiatus

Brianna JohnsonBrianna JohnsonJuly 11, 20252 Minutes read

The legendary Virginia-based hip-hop duo Clipse, comprised of brothers Pusha T and Malice, has officially returned to the music scene, releasing their highly anticipated fourth studio album, “Let God Sort Em Out,” on July 11, 2025. This momentous occasion marks the duo’s first full-length project in 15 years, a period during which both artists pursued successful but separate solo careers. The release has been met with immediate widespread critical acclaim, solidifying Clipse’s enduring influence on the hip-hop landscape.

A Prodigal Return

The absence of Clipse from the recording booth had left a significant void in the hip-hop community. For a decade and a half, fans eagerly awaited new material from the duo known for their sharp lyricism and distinctive delivery. “Let God Sort Em Out” not only satisfies this long-standing demand but also exceeds expectations, showcasing the mature artistry and chemistry that defined their earlier work. The album’s creation was a journey marked by dedication and a strong commitment to artistic integrity, with the duo navigating significant hurdles to bring their vision to fruition.

Pharrell’s Masterful Touch and Star-Studded Features

Central to the sonic identity of “Let God Sort Em Out” is the production work of long-time collaborator and Neptunes member, Pharrell Williams. The album is entirely produced by Williams, whose distinctive sound has once again proved to be the perfect sonic canvas for Clipse’s lyrical prowess. This exclusive production partnership underscores the deep creative connection between the artists. Further elevating the project, the album boasts compelling guest appearances from some of the most respected voices in hip-hop, including verses from acclaimed artists like Kendrick Lamar and Nas. These collaborations add further weight and prestige to an already significant release, with each guest artist contributing their unique flavor to the album’s rich tapestry.

Overcoming Obstacles for Creative Control

The path to releasing “Let God Sort Em Out” was not without its challenges. A critical aspect of the album’s creation involved overcoming significant label disputes. To ensure complete creative control over their music, Clipse took the extraordinary step of buying themselves out of a prior recording contract. This decisive move required a substantial investment, reportedly a seven-figure sum, demonstrating the duo’s unwavering commitment to their artistic vision and their desire to present their work on their own terms. This financial and professional undertaking highlights the immense dedication Clipse poured into ensuring “Let God Sort Em Out” would be a definitive statement for their career.

Enduring Legacy and Future Prospects

The release of “Let God Sort Em Out” signifies more than just a comeback for Clipse; it represents a potent reassertion of their status as pioneers and innovators in the hip-hop genre. Their hiatus allowed for individual growth and exploration, but this reunion project demonstrates that their synergy as a duo remains unparalleled. The widespread acclaim suggests that the artistry of Pusha T and Malice, coupled with Pharrell Williams’ production genius, continues to resonate deeply with both critics and fans alike. This new body of work is poised to be a benchmark for hip-hop releases, showcasing that true lyrical skill and cohesive artistic vision are timeless. The hip-hop community eagerly awaits further developments and potential touring from the reunited duo, as “Let God Sort Em Out” firmly places Clipse back at the forefront of the music industry. This album is a testament to their resilience, their artistry, and their undeniable impact as a premier hip-hop act.

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Brianna Johnson

Brianna is a community organizer from Chicago who writes about hip hop's power as a force for social change. With a background in sociology, she provides thoughtful commentary on how artists from her city and beyond tackle issues of justice, poverty, and identity. Her think-pieces challenge readers to see hip hop not just as music, but as a movement.

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